'

Song Yuan: On the desk of celebrities

In the Song Dynasty, the inheritance of Feng Shui became more prosperous. With the rise of Song Dynasty’s qi style, the two major feng shui factions Xingfa School and

Li Qi style is also basically clear, each has its own bells, and there have been many famous Feng Shui masters in the two major factions. Zeng Wendi, Xie Ziyi and others inherited Yang Junsong’s Xingfa school tradition, while Wang, Lai Wenjun and others used compasses with position, gossip, and astrological qi as the core, and thus became the originator of Li Qi. There is "Reminding Officials", which is famous for a while.

Lai Wenjun, whose character is Tai Su, is a native of Chuzhou. Once served as an official in Jianyang, Fujian, he prefers geomantic omen, so that he abandons the official and travels around the world. He calls himself "Buyizi", also known as Qilai Buyi at the time. The Lai family is one of the important originators of the Feng Shui Li Qi style, namely the Fujian School. He has made a lot of contributions to the theory and application of Li Qi and Bagua azimuth compass. Ji Xiaolan's "Siku Quanshu" collected two volumes of Lai Buyi's "Choosing Officials" and commented on them. He believes that the book is divided into four chapters: dragon, cave, sand, and water, and each discusses the way of urging officials. The fourteen mountains are divided into yin and yang, with Zhen, Geng, and Hai as the three auspiciousness, and Xun, Xin, Gen, Bing, Dui, Ding as the six shows, and the change of the acupuncture points receives the good and the bad. The acupoints are still dominated by the dragon, while the qi is the main point. The difference between the left and the right. The sand and water articles are especially broken by the position." The argument about the feng shui azimuth is divided into "three auspicious six shows", and elaborated on this as the main theoretical core. In the handed down feng shui theory classics, " "Cuiguan Pian" is the earliest.

In the "Discussion on Acupoints" section, although it is still dominated by dragons, it adds the judgment of good and bad directions, and at the same time there is a theory about accepting anger and going to the left and right. Because of the emphasis on the role of gossip and its orientation, as well as the restraint and interpretation of the five elements, Ji Xiao-trit believes that there are many "suspensive solutions." For example, the mountains in the two directions of the Yin A side (that is in the east) are prone to lunatics and lame people. The basis is that because the east is the hexagram of vibration, it is of wood, and the wood is heavy and the wind is heavy, and it is also related to the sky. Twenty-eight stars belong to the eastern tail star and the min star, and these two stars also like the wind; the hexagram Zhen is corresponding to the feet in the human body, and the feet are easily ill if they are exposed to too much wind. This infers that there are more people who are sick and lame. . In the same way, "Party C should have stars and horses, so there is the auspiciousness of silk. Party D should bear the stars of longevity, so it is a sign of longevity. Against the dragon and Chenshui, there is a golden kill in the chen, and it is a tongue and a ruin.

Therefore, the Lord's lips show teeth. Chenyou meets again, the earth plugs with golden sound, so the main tongue is vague. "Obviously, this kind of inference has traces of subjective mechanism and has many false elements. Nevertheless, its theory is in line with the theory of Yin and Yang, Eight Diagrams and Five Elements. Therefore, even Ji Xiaoqi has to admit that Restraint is justified. "

In addition to "Cui Guan Pian", the important feng shui works left in the Song Dynasty is "Yi Yuan Zong Lu". The book is Song Dazhongxiang

In the third year of Fu (1010 AD), Yang Weide, who was the official post of Sitian Jianbaozhang, wrote and submitted Song Zhenzong's monograph on funeral law. The content is complex and rich, recording various methods including five-tone surname Li, taboo for choosing a day, Zhenfu, Dunjia, Guanyu, etc.

In the Song Dynasty, Feng Shui was on the desks of literati and inkmen, which was valued by celebrities at that time. Even great Confucian scholars like Zhu Xi have a lot of research on Feng Shui, and there are such items as "Buju" and "Shanling Discussion" in "The Complete Book of Zhu Zi". Although he opposed the five-tone surname Lifa, which was still quite marketable at the time, he did not oppose the choice of burial. There are many accounts of feng shui burial sites in "Shanling Proposal". When Zhu Zi was forty years old, his mother died. Zhu Xi chose a good cemetery for her mother in Jianyang, Fujian. He buried her mother in the next year and was buried with the remains of her father who died young. According to the analysis of later generations, Zhu Zi chose the cemetery for his mother Zhu. "The dragon escaped from the high mountains, and from across the field, it became Pinggang, and several knots became the lake and fields. The two veins merged into acupuncture points, and the acupuncture points were based on the lake water. Gao Fu is a case of Taiyin Wenxing. The dark arches in the ocean, the left and right shadows, the beautiful place where water and wind are hidden. The sons of Wen, Zhu Zai and Sun Zhu are both official servants, and Kedi will not be replaced."

In the Yuan Dynasty, due to the change of dynasties and culture, it was considered to be a low ebb of Fengshui culture, but it was not. Although few literati records and studies remain, the folk's emphasis on feng shui has never been weakened. Even among the emperor's senior staff, feng shui construction has become an important concept, and this concept has also had an impact on the emperor of the Yuan Dynasty. The most typical example is Liu Bingzhong's influence on Kublai when the Yuan Dynasty settled the capital of Beijing. The construction of Beijing City, as everyone knows, is completely based on the Book of Changes

The principle layout of gossip, and the location selection highlights the emperor pattern of Feng Shui regarding Shangying Tianxing, opening and closing of the general trend, and layers of guarding.